I created the show art and logos for more than 30 shows at the theatre. I would read the script, and then pitch upwards of 18 sketches before completing the final vector graphic. Sometimes I would need do photo shoots with the actors. The final art would then be used in other marketing pieces.
Show art and logo for Topdog/Underdog, a drama about two brothers trapped by poverty and their desperate, caring, and ultimately deadly relationship to each other.
Show art for What the Constitution Means to Me, a play that reevaluates the incontestability of the constitution.
Show art for The Seafarer, a play about playing poker with the devil during Christmas.
Show art and logo for it’s not a trip it’s a journey—four friends travel across the country in a journey for healing.
Show art and logo for A Hanukkah Carol
Show art for A Jumping-Off Point, a play about ethics, discrimination, and the line between inspiration versus intellectual theft.
Show art for A Boy and His Soul, a play about one man’s poignant recollections intricately tied to the dusty funk records he rediscovers in his parents’ basement.Show art for The Catastrophist, a show about a doctor who foresaw the threat of a viral pandemic.Show art for Throw Me On the Burnpile and Light Me Up, a play about the playwright’s unforgettable experiences growing up poor in the south.Show art for We’re Gonna Die, a musical about finding hope in death.Show art for Tik Tok, a play that highlights the hidden turmoil of the members of an influencer house.Show art for Nollywood Dreams, following an actress’ rise in Nigeria’s booming movie industry.Show art, including photography, for On the Far End, a solo-show retelling a personal account about indigenous justice.Show art for Girlhood, a drama about teenage female adolescence.Show art for Aaron Posner’s The Tempest, which incorporated magic tricks and choreography by Pilobolus.Show art and logo for “We declare you a terrorist…”, a play about the Moscow theatre hostage crisis.Show art for Next to Normal, a musical about mental illness and its’ permeating effects on family.Show art and logo for The Mountaintop, a show about Martin Luther King’s final night at a motel in Memphis.
Show art for Gallows Humor, a play about students during a tense lockdown.
Show art for King James, a play about friendship through fandom.Show art for Nothing Up My Sleeves, an autobiographical play about becoming a magician.Show art for the play Sally and Tom, which reexamines the conflicted history of Thomas Jefferson through the modern lens of a couple of struggling actors.Photography of Cody Nickell for “We declare you a terrorist…” by Kent Kondo.Production photography published in The Washington Post
